NR
The Booming Asian Art Market- big business in the West
New York, April 19, 2007
Surinder Paul Singh
Last year in May, a London gallery closed M.F. Husain's show
early "for security reasons," according to The Daily
Telegraph, after protesters sprayed black paint on two of his
paintings that portrayed two Hindu goddesses in the nude. It was
a difficult year for M.F. Husain, a 91-year-old Indian artist.
Husain's work remains in demand as that of one of the most celebrated
contemporary Indian painters. At Sotheby's, an untitled canvas
from the early 1960s — juxtaposing two women with a lamp,
a symbol frequently found in Husain's works — sold for $486,400
to an Indian private collector, double the estimated price.
Last year, the total sales of Indian art in England stood at
around 106 million pounds, and the figure is expected to double
this year.
The director of one Art company said, "The auction market
for Indian art alone was worth $150 million last year, up from
$52 million the year before"
The Rich NRIs ( Non-Resident Indians ) are investing in Indian
art market and it is one of the fastest growing in the West. Three
to four years back, mostly the main buyers of Indian contemporary
art were NRIs (non-resident Indians) but now because of the Indian
economy is growing, it is estimated that about 85 percent of buyers
for Indian art today are local. The current size of the Indian
art market is about $350 million, up from $200 million in 2005,
but only 1 percent of the world art market.
At a Christie's auction in 2005, Tyeb Mehta's "Mahisasura"
sold for nearly $1.6 million, marking the first time an Indian
contemporary painting crossed the $1 million barrier. Since then,
a few other artists have joined the million-dollar club, among
them F.N. Souza and S.H. Raza.
The New York Times reports in an article
dated January 2007 about the recent climax of the contemporary
Chinese art market. The article by David Barboza on In
China's New Revolution, Art Greets Capitalism is rather factual
and lists some recent record prices achieved at auctions in China
and Hong Kong and mentions some of the best-known top money-maker
artists like Zhang Xiaogang, Fang Lijun, Yue Minjun, Zeng Fanzhi,
Wang Guangyi, Zeng Hao.
The rapid economic changes of the 1990s gave contemporary
artists new themes - the desire to get rich quickly, competitiveness,
the widening gap between rich and poor, consumerism, leisure.
The collision of capitalist and communist ideologies also led
to Political Pop and Cynical Realism styles.
Western galleries, especially in Europe, are rushing
to sign up unknown painters; artists a year out of college are
selling photographic works for as much as $10,000 each; well-known
painters have yearlong waiting lists; and the Solomon R. Guggenheim
Museum and the Pompidou Center in Paris are considering opening
branches in China.
"When his work "Bloodline Series: Comrade
No. 120" sold for $979,000 at Sotheby's auction in March,
many art insiders predicted the market had topped out and prices
would plummet within months.
But in October, the British collector Charles Saatchi bought another
of Mr. Zhang's pieces at Christie's in London for $1.5 million.
Then in November at Christie's Hong Kong auction, Mr. Zhang's
1993 "Tiananmen Square" sold to a private collector
for $2.3 million.